As a woman author, Tie Ning was born in 1957 in Beijing. With ancestral home in Hebei, she is a professional writer. She ever took the post of President of Writers Association of Hebei Province and Vice-Chairman of Chinese Writers Association. She was elected as Chairman of the Chinese Writers Association in 2006.

In 1975, after graduation from high school in Baoding, Tie Ning went to Hebei Province to experience rural life. In 1979, she returned to Baoding and worked in the Baoding Branch of the Chinese Federation of Art and Literature as novel editor. In 1984, she workd in the Creative Writing Workshop of Hebei Province. Now she is the vice chairperson of the Chinese Writers Association, and chairperson of the Hebei Provincial Writers Association.

Tie Ning started publishing her works since 1975. In 1982, her short story "Ah, Xiangxue" won a national award. In 1984, her medium-length novels "The Red Shirt Without Buttons" and short story "June's Big Topic" won national awards. Since 1980, Tie Ning has published "Path in the Night" and other collections of short stories and novellas.

Her "Wheat Straw Stack" won an award of the 1986/1987 "Middle-length Novels Offprint".
Works in her early stage mainly depicted ordinary people and daily life, through which exquisitely portrayed characters' inner world, and reflecting people's dreams and pursuit, contradiction and suffering in their own era.

In 1986 and 1988, she published middle-length novels "Wheat Straw Stack" and "Cotton Stack" respectively, both reflecting ancient history and culture, and concerning female's existence. After 1986, her novels obviously changed towards reflection on traditional Chinese cultures, with polysemous themes and varied techniques. In 1988, she wrote her first full-length novel "Rose Door", in which she changed her harmonious and ideal poetic style, and displayed the dark side of life through competition for existence among women in several generations.

Major Works Introduction:

"Ah, Xiangxue"

This is a story about a pure and pretty country girl, Xiangxue, "fragrant snow" in Chinese. Xiangxue lives in a village in mountains. Every day, a train from the outside of the mountains stops at the village just for a minute. Xiangxue and other country girls take a small basket of eggs to the train when it stops and exchange them for things they because they can't get what they need within the village. Xiangxue carries the basket onto the train, and when she sees a pencil box beside a city girl of her age, she dreams to have it without hesitation. She offers her full basket of eggs for it and receives it. It opens up a door to the outside world for her. The story shows the country girl's simplicity and her yearning for civilization.

"The Village Road Takes Me Home"

Tie Ning is critical of the masculinity model for grounding subjectivity on opposition to the power of the party/state and assuming responsibility over women's lives. This model is concretized in two male characters who both want to marry the female protagonist because they feel responsible for her earlier marriage to a peasant, which left her a widow and prevented her from returning to the city after the policy of sending educated youths to rural China ended.

In her story of the female protagonist's choice between the two, which entails the significant and ideologically loaded choice between the city and the countryside, Tie Ning reveals the complicity of the masculinity model of subjectivity in the party/state's dominant ideology despite its apparent oppositional stance. In its place, she offers the protagonist's feminine understanding of subjectivity as determining one's life-course based on one's own needs, desires, and abilities rather than with reference to-either in opposition or compliance-the party-state and its ideology.